Shinichi Shinichi, a world-renowned textile innovator and dyed masseur, devoted himself to the innovative design of textiles all his life and was hailed as "post-industrialist" and "the Japanese textile industry's Wizards." A few days ago, Shinichi Shinjing's first large-scale tour in China debuted the Museum of Fine Arts in Beijing. The exhibition features hundreds of pieces of textile art and design created by combining Shin-Atsumi Shinichi with traditional crafts, modern technology and Oriental aesthetics Focus on display, the system reviewed its design process spanning two centuries, effectively explains the unique artistic concept and design ideas of Mr. Shinichi Shintai. Li Guiqi, director of Costume Design Art Committee of Chinese Artists Association and a fashion historian, commented that Junichiro Shinichiro is not only an original fiber artist but also an original textile designer who is also a scientist who studies and studies different compositions, different weaving techniques and different treatments Method of dyeing and weaving science pathfinder pioneer, has a persistent craftsman spirit. In the opinion of Chairman Ryoko Ryoko of the International Association of Wrenners, Shinichi Shinjing is one of the most technically innovative textile designers in any respect, is a designer in a designer, a futuristic artist, and "he creates It's not just new materials, but what he calls future materials. "Shinichiro's obsession with synthetic yarns began in the mid-1950s with his first attempt to introduce gold yarn at Kiryu, Gunma Prefecture, Flakes and jacquard loom woven brocade. He eventually won 36 patents relating to metal yarns, setting him a pioneer in the field of textiles. Known as the alchemist's magic, his groundbreaking design approach combines the best of traditional weaving techniques with local craftsmanship, such as combining the latest technology with twisted leaves: gold, silver and aluminum films on polyester fabrics by chemical etching; Metallic yarns blend with wool or silk to create an unexpected sense of texture and reflectivity; combine temperature-sensitive dyes with titanium; stainless steel spiral patterns inspired by the tire industry. In textiles, the application of metal yarns is both ancient and modern, dating back to ancient Chinese inventions. Atsushi Niiitsu's inspiration comes from this ancient technology, he believes that the ancient textile manufacturers in the choice of materials and the use of technology has been very clever, and on the basis of the invention of new methods to create a modern design aesthetics works. The installation art "Vajradhatu Mandala: The Golden Wall" on display at the Gunma Takasaki Museum of Modern Art in Gunma in 2005 demonstrated the immense appeal of metallic fabrics. Shinjing once said: "It sounds incredible, but I am very interested in dyeing.If I just dyed ordinary fabrics, I can not get so much fun." In the 70s, Shinichi Shinichi embarked on a digital jacquard fabric design And research, created a large number of Oriental-style fabrics, art and practical Lianbihui. His works have realized the perfect fusion of traditional craft and modern science and technology in textile printing and dyeing. He and the world's top fashion house Issey Miyake, Kawakubo Ling and other cooperation, the innovative fabrics into fashion design, not only sensationalized the fashion industry, but also led to a new wave of design and innovation. Together with some of Japan's avant-garde fashion designers, he is regarded as a central figure in contemporary design. His work has become a permanent collection of museums, including the Victoria and Albert Museum in London, the Museum of Modern Art in New York, and the American Craft Museum. The "commoner rebuild" exhibition in the review of textile works at the same time, let the audience and the future of a dialogue, rich imagination in the constant flow of works. "There are basically no natural fabrics in the exhibition, all recreated, soft, with metal wire." In the past, I tried to promote handcraft and promote natural things. They think that they are more lively and energetic. Many of the exhibitions are made through Technical intervention, machine-processed things, fiber itself is re-created, but still can feel the temperature, there is a life of the artist's injection. "Liu Mao-ping, vice president of Hubei Academy of Fine Arts on the" commoner rebuild "this exhibition also Very interested, he believes that the exhibition can be positioned in many ways, such as it can be a soft device of fiber, with the quality of contemporary art, you can also see it as a fashion show clothing fabric, or fiber art exhibition. Although there are many kinds of expressions by artists, textiles have not been sufficiently respected. Wada Ryota said that compared with the general art media, the fabric actually has more room to break away from the traditional way of expressing the arts and to transcend national boundaries. Although a complete piece of fabric is flat, it is pliable and can be pounded, pressed, folded, compressed, stitched, burned, cut, torn, collage, or dyed, printed and made into something different. It can be very lively, very textured, powerful, small and decorative, and most importantly, Asia has a strong textile culture and is global, and every generation can find textiles related terms. "
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